Hercules vs Dionysys
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@RobertAllen said
"In this respect I cite the fact that Crowley was the first person I found who told me things about how to live that ordinarily would have been the responsibility of a father. If I feel his paternity, I am certainly not the first or only one. It may seem a stretch, even a muddling of the planes for me to claim that Crowley as Zeus is my true father, and that I was nurtured in his thigh until my term was up, but let me remind you that this is an effort of the imagination and the rules of fiction apply and the connections I make in this regard are what's important, not the orthodoxy of the connection itself"
I would suggest that feeling that one's biological father is not one's real father should not be regarded as a fiction but as the real orthodoxy of gnosis. Think of the first line of the Lord's Prayer. Or any of the other countless legends of mythical characters being secretly fathered by gods on hapless females. The question to ask is, what part of myself feels there is something "more" to who I am? Children often feel shame at the deficiencies of biological parents, and dislike talking about it to others - the sense of injustice is too personal. But in fact this dissatisfaction/revulsion/rebellion against one's inherited enviroment is a necessary part of evolution and awakening that leads to discovery of True Will. Once this occurs, we can reassess our biological parents and be able to accept them for who they are, not how they should be.
As a Christian gnostic once said, there are many usurpers but one true Father.
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@Edward Mason said
"Veronica, 93,
"He was selfish, he did all those deeds for redemtion, not because he wanted to help mankind."
And ... ? I don't believe anybody wants to "help mankind" as a thing on its own, though self-redemption may well benefit others. Read Cap II of the Book of the Law in this regard.
93 93/93,
Edward"And........
Being selfish is not a bad thing,But I think maybe what I am banging up against here, is the idea of being good an heroic (helping mankind) for the sake of being good and heroic ( was it his true will to shovel shite).
And the false pretenses that have now been projected onto his archetype, of being the good ol boy, Because of that.
Or being good because you have too.
Does it matter who cleaned out the stables, as LNG as they got clean?
The devil made him do it, made him slaughter little babes.
Made him loose himself to madness, and commit the worst of the worst.And no matter how atrocious, how wrong, how bad a man can be.....
He deserves the chance to redeem himself,
To return to the motherI never liked the fact, that the hideousness of crime is buffered and down played.
Reminds me of what I hear in the news about how environmental British Petroleum is. Now
Will my grandkids ever hear about the devastation and destruction that forced them to act in accordance.
That daughter that Heracules killed was someones daughter, and she will never get to hold her hand again, no matter how many monsters are slated, nor how much shite is shoveled.
I believe that fact should not be down played in history books.
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Veronica, 93,
Ancient myths have a particular quality of their own. I read all of The Odyssey a few years ago, and was fine with it until the end, when Odysseus hangs the serving maids for, basically, being disrespectful. He had the right to do so as ruler of Ithaca, but that sequence almost spoiled the book/poem for me. It forced me to step back and remind myself this story was 3,000 years old.
Hercules is an archetypal figure, not a man, and Homer makes Odysseus into something close to an archetype, too. The strenuous nature of their efforts is beyond human comprehension. Hercules' story is told within the context of a warrior society, with strict codes, such as we have not had for many centuries. Its significance for us now lies beneath those cultural overlays. For the archetypes never die, but keep on expressing themselves in new forms. For the Greeks, Hercules. For boys as I grew up, it was super-hero comics, and for many people today, the character they adopt in video games. Or, as the practitioner in a magick circle.
93 93/93,
Edward -
The significance of the Mother vs the Father vis-a-vis mythical archetypes misses the point. The crowned and conquering Child should balance Justice (= the Mother) and Mercy (= the Father) within him/herself while following their star..
It takes a hero to fight a monster because the hero is quite monstrous themselves. Only the winners become remembered in history and legends as heros, their sins swept under the carpet, while the losers are demonized as monsters...
Personally I don't care for the concepts of heros or monsters because both suggest individuals who are extraordinary and beyond the laws of reality. Sooner or later we discover the same laws apply to everyone. Its natural for children to latch on to hero characters, but later in life we discover that 1) these stories for children contain a grain of truth and 2) that it is simply a matter of consistent and hard inner work.
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93 Mr. Mason
I appreciate you clarifying your insight for me.
I know that I would do well to get a grip with the fact that the way I view things is not typical, and runs contrary to popular beliefs. The world is not sunshine and lolipos, rainbows and fairy dust, even if I am.The world really is a hard cold place isn't it. And it does want my warmth and softness doesn't it.
Little boys and girls need heroes, always. And I guess it is best if they are not privy to the commonnality of the hero, for that would completely destroy the purpose of having one in the first place.
Storey time:
My father really liked GWBush, and often tried to engage me, in conversation about what it was that I didn't like about him. It got rather exhausting for me, and I don't like to talk politics. One day it came to me, on how I could stop this.Dad......why don't you like gw.
V..........after all he's done and said, good and bad....it comes down to this simple, fact....I would never want to have sex with him. Nothing that he has ever said or done has made me think....I wanna screw that guy. He should get a blow job......I do not find him attractive in anyway, shape or form. I do not think that he should be able to reproduce, and that is it.Dad kinda shuddered a bit and said simply oh.
And I have never had to talk about gw again.
Silly story, but I would not have sex with Heracules either......he isn't attractive to me, now Dionysus.....he is a hottie and. I hope he gets some luvn everyday.
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93,
That's an interesting test! I'd have to switch sexual orientation (or at least become an ancient Spartan in my leanings) to consider my feelings on screwing Dubya, but a het-male equivalent (and this would get the Spartan okay, too) might be considering whether I'd want to be beside this person in a dangerous or combat situation. Does he have the backbone to stick it out, come what may? Or will be cite security concerns and disappear in a government helicopter while the Persian army surrounds the rest of us?
I think this would apply to female leadership here. Few women in positions of senior authority project sexuality per se, given that the world as it is doesn't (yet) do a lot to support such an identity for leaders. Cristina Kirchner of Argentina is my favorite exception here, but she is that - an exception. But I'd want to know if the female would have my back in every other way, and not merely have her own helicopter waiting to whisk her to safety.
93 93/93,
Edward -
93,
The Atlas Itch wrote:
"The significance of the Mother vs the Father vis-a-vis mythical archetypes misses the point. The crowned and conquering Child should balance Justice (= the Mother) and Mercy (= the Father) within him/herself while following their star.. "
But isn't the point here that this is not something that can be done according to a precisely pre-set formula, but has to be explored by each of us, using the symbols that assert themselves? What I'm working personally is something I would never have imagined when I was younger. My inner reality overcame my conscious preferences on all counts, and it was lengthy inner work that produced that situation.
93 93/93,
Edward -
@Edward Mason said
"But isn't the point here that this is not something that can be done according to a precisely pre-set formula, but has to be explored by each of us, using the symbols that assert themselves?"
On a subjective level, yes. The symbols that assert themselves, and the meaning we draw from them, indicate areas in our psyche that need addressing. The path is self-correcting.
But what's interesting to note, especially when we start looking at archetypes, is how "pre-set" human behavior is. Issues that seem so personal are, in fact, quite universal.
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@he atlas itch said
"The identification of Dionysus with Hades is indeed interesting. It identifies Dionysus with Osiris, who was cut to pieces by Set, then remembered by Isis, to become the king of the underworld and death. Hence Dionysus = Hades.
But keep in mind the Greeks writers were completely fascinated by, and often misread, Egypt and the Egyptian system, the remains of which existed as a far older and more sophisticated civilization to the south of the much younger Greek civilizations. This gave rise to a kind of pseudo-Egyptianism - similar to Renaissance scholars attempting to make sense of the Kabbalah."
First I support the association of Osiris and Hades, and then, by the suggestion from Heraclitus, Dionysus, but not because it's factual. It isn't and cannot be proved Heraclitus meant any thing of the sort. But as a fiction, it's beautiful and useful, and for these reasons, true enough.
On another score though, I just want to point out that it is probable Heraclitus could have meant something else, and this other direction is equally valid. Rather than assume the Greeks were simply Egyptian wannabe's, Hades in the context of the quote might have had more to do with the Greek idea of Hades than the Egyptian notion of the god of the dead, or Osiris. Connections can be made between them, but then there are differences as well.
Atlas, I know you probably didn't intend this slight, but there was still a sense from your comment that the Greeks had no real genius of their own, but only mauled Egyptian traditions and religious insights.
As a singularly Greek concept, in my attempts to understand what Hades represented, I have found it fruitful to look at the excursions to the Underworld by Greek Heroes—Ulysses, Orpheus, and of course Hercules—for clues as to the nature of this reality, and by extension Hades himself. I touched on this a little when I wrote my initial thoughts into the thread.
Love and Will
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@Edward Mason said
"Hercules is an archetypal figure, not a man, and Homer makes Odysseus into something close to an archetype, too. The strenuous nature of their efforts is beyond human comprehension. Hercules' story is told within the context of a warrior society, with strict codes, such as we have not had for many centuries. Its significance for us now lies beneath those cultural overlays. For the archetypes never die, but keep on expressing themselves in new forms. For the Greeks, Hercules. For boys as I grew up, it was super-hero comics, and for many people today, the character they adopt in video games. Or, as the practitioner in a magick circle."
What fun, a game could be made of this—looking for contemporary examples. A kind of "if Hercules were alive today who would he be" game. Of course the danger is that this becomes reductive, when people think they have figured it out and can now put the meditation aside. But avoiding this pitfall I would make an initial entry by asserting:
Charleton Heston = Hercules
Re: prying his gun from his cold dead fingers!James dean = Dionysus
Re: as the eternal rebel...Love and Will
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@he atlas itch said
"
@Edward Mason said
"But isn't the point here that this is not something that can be done according to a precisely pre-set formula, but has to be explored by each of us, using the symbols that assert themselves?"On a subjective level, yes. The symbols that assert themselves, and the meaning we draw from them, indicate areas in our psyche that need addressing. The path is self-correcting.
But what's interesting to note, especially when we start looking at archetypes, is how "pre-set" human behavior is. Issues that seem so personal are, in fact, quite universal."
Uhmm, aren't you guys saying the same thing?
If you are, this is my take on the similarities: the idea is ultimately to become aware of what controls us, and as a result, a little freer from it.
We talk about the archetypes as though one could take them or leave them. But the point of the original concept was not simply to give us a contemporary way to understand the Gods of our ancestors, but as a way to show us what in fact, conditions and directs every psychic breath we take.
Love and Will
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in 'defense' of the herculean:
he portrays a figure who by his own strenght, courage and labor made the bridge between the animal and divine.
the quest for atonement begins after a murder - an act of insanity, madness, and lower self, from our human moral perspective - and his story tells us that there is a path out of that horrific deed, there is a path out of our karmic bonds, that there is a road to atonement!
even the worst, lowest, ugliest in us can be transformed, transmuted into gold!in herculean myth, we see that that path is towards the Sun and 'through' the Sun - that's the symbolic essence of his story.
as I see it, his main characterisics are three: strenght, persistance and above all: aspiration to reach the end of the journey. and that's what we can learn from him.
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@RobertAllen said
"Atlas, I know you probably didn't intend this slight, but there was still a sense from your comment that the Greeks had no real genius of their own, but only mauled Egyptian traditions and religious insights"
No, the Greeks definitely had genius, but I tend to priviledge the Egyptian archetypes over the Greek ones because of the fact that the Greek writers borrowed, changed or misunderstood a lot of the Egypt ones.
To take one example: in Egypt, the Great Sphinx of Giza has a male head, lion's body and serenely faces east, representing dominion from horizon to horizon (i.e. Egyptian civilization had knowledge of the soul's descent into the Amduat and resurrection, represented by the solar cycle). By the time the sphinx archetype reaches Greek legends, it has a cats body and female head, is rather capricious and terrifying, but not too clever. This not too cleverness signifies something getting lost in translation. It has a standard riddle that it asks of every passerby, and responds by strangling those who do not answer correctly. The riddle of what walks on four feet in the morning, two feet at noon and three feet at evening, is a mangled and distorted version of the knowledge held by the Great Sphinx of Giza - representing only one half of the full meaning - where the journey of the soul is linked to the path of the sun. When Oedipus solves the riddle, the Greek sphinx reacts by throwing itself off a high rock.
Now according to some scholars, Oedipus' solving the riddle of the Greek sphinx symbolized a transition in Greece between the influence of the older Egypt and emerging Greek civilization, where the human-like Olympian gods begin to gain prominence. If the Greek sphinx symbolizes a transition, this might explain why modern European architects like to place them as guardians to entrances of cities, doorways, paths leading into important areas or in front of libraries. Alternatively, the Greek sphinx could represent a vestigial remnant as guardian of far older Egyptian knowledge.
But I won't deny that I draw inspiration from both Greek and Egyptian mythology.
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Its also worth noting the Assyrian and Babylonian sphinxes that guard the entrances to cities, often bearing the bearded face of a ruler and having a lion's body with wings, such as can be found in the Pergamon Museum in Berlin. I have gazed on them at length, noting the references to magical enscriptions of their bodies and alleged function to protect the ruler of the city. As I understand them, their essential signification is this:
Only the righteous shall pass these gates.
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@he atlas itch said
"
No, the Greeks definitely had genius, but I tend to priviledge the Egyptian archetypes over the Greek ones because of the fact that the Greek writers borrowed, changed or misunderstood a lot of the Egypt ones. "I value the Egyptian images and gods above the Greek for magical work. In terms of archetypes, I'm not sure how that works for me because the Archetypal tradition—Jung and Hillman—don't make much of the Egyptians. Though, they do make an appearance—I'm thinking about the Golden Scarab synchronicity from Jung's autobiography. I would have simply assumed the appearance of Egyptian images in dreams and in active imagination work would only indicate an older strata of the mind, not necessarily higher or lower, or better or worse.
As far as the Greeks getting the Egyptians wrong, that obvious. They were Greeks, and pretty much in the same relationship with the Egyptians as ourselves, except they could actually talk to the living heirs of the later day Egyptian religions. So I pretty much agree in a limited sense. Where I take issue is that it's possible to look at everything the Greeks asserted about the Egyptians as more of a reflection on themselves, than as a true and accurate account of Egyptian customs and beliefs.
Love and Will
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@Edward Mason said
"That's an interesting test! I'd have to switch sexual orientation (or at least become an ancient Spartan in my leanings) to consider my feelings on screwing Dubya, but a het-male equivalent (and this would get the Spartan okay, too) might be considering whether I'd want to be beside this person in a dangerous or combat situation. Does he have the backbone to stick it out, come what may? Or will be cite security concerns and disappear in a government helicopter while the Persian army surrounds the rest of us?"
After being "bottoms" for so long to GW's policies, it was nice to consider being "tops" for once. Thank you for the imagery.
Now, Obama...I'll have to ponder that one for a few minutes (maybe 10-15).
Sorry. I couldn't resist.
Love this thread, btw.
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@danica said
"in 'defense' of the herculean:
he portrays a figure who by his own strenght, courage and labor made the bridge between the animal and divine.
the quest for atonement begins after a murder - an act of insanity, madness, and lower self, from our human moral perspective - and his story tells us that there is a path out of that horrific deed, there is a path out of our karmic bonds, that there is a road to atonement!
even the worst, lowest, ugliest in us can be transformed, transmuted into gold!in herculean myth, we see that that path is towards the Sun and 'through' the Sun - that's the symbolic essence of his story.
as I see it, his main characterisics are three: strenght, persistance and above all: aspiration to reach the end of the journey. and that's what we can learn from him."
I like this. It has me thinking more about the various ways an archetype like this can manifest in peoples lives. For example, considering the recent references to Bush, it could be argued the Herculean took the form of posturing—"look at my big muscles, err, I mean my swagger." Contrast this with the post presidential years of Jimmy Carter and his work with Habitat for Humanity.
Love and Will
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Re: my last post, but thinking about Dionysus now...
I remember staying with some friends in New York City, who were in the habit of offering their couches, and floors to visiting friends. Also staying at the apartment was an attractive young woman, a friend of my friends.
One night we all went out to dinner in the East Village—an Indian restaurant we liked on 8th Street. As we walked from the subway, the young woman left the group to talk with some young men, obviously living on the street. I came to learn afterwards that she was meeting a specific person, and talking with her about her interests and passions later, I came to understand that she had previously, briefly, met this one young man who was in fact homeless, and a heroin addict, and she was looking for and found him again. And she had fallen in love with him! Which always struck me as singular and exceptional in itself because there was plenty to make this young man undesirable.
It was irrational. But I realized later that the magnetic quality that the Dionysus archetype afforded him also helped him to survive by capturing the hearts and imaginations of women just like my friends friend.
Love and Will
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This has been very interesting,
Is it that Hercules feels that he has acted out of accordance with natural laws, murdering his family, that he feels inadequate, and has to seek the approval of some one who is not of himself......seems to me very Christian,Hebrew,Islamic. Salvationists thinking....Which is why I don't like him, and would not find anything he did valid.
While Dionysus doesn't seek out others approval, and does what he is led to do,......in accordance with his nature...
And so if he manifests as a skinny depraved junkie he is so much more attractive.
Hum,
I wonder if this is what is implied in the thought
That their is no accounting for taste -
@Veronica said
"While Dionysus doesn't seek out others approval, and does what he is led to do,......in accordance with his nature...
And so if he manifests as a skinny depraved junkie he is so much more attractive.
"You've outed yourself as a Meanad!
Love and Will