Liber Al Cipher 666 Tablet / English Qabalah
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
Although there is a lot I feel sure about with this theory; there still are areas - subjects im not sure about as well.
Of course as I learn, I try to use that knowledge to help solve these remaining questions. However, your welcome to try and solve them as well. Here they are:
- IF we take Abrahadabra as using the English letters and cross reference them to the Hebrew connected through the Trumps; can we say:
A = 0 Fool - Aleph 1 = Spirit
B = 1 Magus - Beth 2 = Air
R =17 Star - Heh 5 = Fire
H = 7 Chariot - Cheth 8 = Water
D = 3 Empress - Daleth 4 = Earth(Interesting side note. Card numbers of these 5 = 28, same as reduced Eng. for whole word. Heb. total 20.)
This is my guess at elemental attributions for these 5 diverse letters of the Word.
What do you think?
- I believe these four solar gates are to be made into four seperate (space marks?) Tablets. The central cross, as done in the regular Enochian system is then turned into a Tablet of Union, to be placed upon the altar. However, it is possible this is ONE whole Tablet to be set up in the East, as our "Kiblah", perhaps a symbolic Boelskin? It does after all symbolically represent a "house", & has the "name" (cross) 418.
Would it be "one" or "many"?
(Of course, giving your opinion is simply assuming hypothetically this whole theory is correct.)
I still havent went into the subject of the letters upon the squares of this Tablet. I will if there is truly an interest, but so far I havent seen too much of a responce. I feel reluctant to simply waste my time with all these details if theres no interest.
Anyway, I admire many of you on this forum, and would appreciate any honest feedback. If for example, you find any aspect of my theory in error, or based on wrong information etc., or may be simply misguided in some way, please feel free to point it out! If this IS a house of cards, built on a shaky foundation, I would seriously appreciate the constructive criticism.
I realize the negative knee jerk reaction to any would be "cipher solution" etc. It does seem to be a Thelemic habit, every Thelemite has a possible theory it seems! But, this is a way we learn too, and having that objectivity is a great tool to realize weakness/strengths.
My arguement is how many theories can so quickly produce such well known, clear-cut recognizable numbers as 666 & 418? In such an additional qabalistically significant manner - such as 111 x 6? This also creates a workable system, using TWO of the subjects closely related to Liber Legis. It brings so many aspects together into a coherent, easy to understand whole. These are the reasons I feel it has merit.
I have seen interesting patterns found, even generated out of every day gibberish (in a round about, haphazzard fashion), but I challenge anyone to show a way to generate these two great Thelemic numbers like this theory can!
It seems every time I post this, everyone clams up lol! I saw plenty give Dar some advice, and or criticism; id love some of that feedback too. Thanks again!
93 93/93
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
I like the standards you set at the beginning. They attempt to confine the incredible creative and associative ability of the unconscious mind to the end result you seek.
Once we get to the elaboration of the mathmatical tables, you end up making choices about how to combine, reduce, mirror, etc. This is where subjectivity creeps in. For instance, the standard method of creating a table leaves the original row and column intact. It doesn't change them. Horizontally, the 0-13, and vertically, the 13-25 would remain in place. The manipulation of the original row and column, then their reduction and mirroring is ...a bit of mental art. And that's where it becomes subjective and unconfirmable.
I am becoming more and more convinced that each of these solutions, and the verses that seem to encourage one to go through such manipulations, functions more like a Rorschach Test than anything else.
As the unconscious mind elaborates on the original premise, these subjetive artistic decisions are shaped by all the other impressions about ourselves, our lives, and occult "doctrine" that we have deeply impressed upon our own unconscious. As the artistic decisions occur, what we tend to see is a reflection of the unconscious contents of the qabalistic artist. In short, it reveals more about what* we believe and think *about ourselves, our lives, and occult "doctrine" than anything else.
Yours tends to bend back toward confirmation of the Law and of the importance of 666.
It is no small accomplishment for you, or anyone else for that matter, to achieve this experience of the incredible possibilities of your internal genius. For many, it seems to represent their first full encounter with the depth and vast possibilities of their own unconscious powers and confirms the possibility of information coming to them seemingly from outside themselves.
However, as I said, the information generated generally seems to reflect much more of what is going on in the psychological depths of an individual than anything that could be considered absolute, universal, or objective truth.
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
@Bereshith said
"I like the standards you set at the beginning. They attempt to confine the incredible creative and associative ability of the unconscious mind to the end result you seek.
Once we get to the elaboration of the mathmatical tables, you end up making choices about how to combine, reduce, mirror, etc. This is where subjectivity creeps in. For instance, the standard method of creating a table leaves the original row and column intact. It doesn't change them. Horizontally, the 0-13, and vertically, the 13-25 would remain in place. The manipulation of the original row and column, then their reduction and mirroring is ...a bit of mental art. And that's where it becomes subjective and unconfirmable.
I am becoming more and more convinced that each of these solutions, and the verses that seem to encourage one to go through such manipulations, functions more like a Rorschach Test than anything else.
As the unconscious mind elaborates on the original premise, these subjetive artistic decisions are shaped by all the other impressions about ourselves, our lives, and occult "doctrine" that we have deeply impressed upon our own unconscious. As the artistic decisions occur, what we tend to see is a reflection of the unconscious contents of the qabalistic artist. In short, it reveals more about what* we believe and think *about ourselves, our lives, and occult "doctrine" than anything else.
Yours tends to bend back toward confirmation of the Law and of the importance of 666.
It is no small accomplishment for you, or anyone else for that matter, to achieve this experience of the incredible possibilities of your internal genius. For many, it seems to represent their first full encounter with the depth and vast possibilities of their own unconscious powers and confirms the possibility of information coming to them seemingly from outside themselves.
However, as I said, the information generated generally seems to reflect much more of what is going on in the psychological depths of an individual than anything that could be considered absolute, universal, or objective truth."
93 Bereshith,
Thank you for your help and input! Very true! I agree of course we have an unconcious process that allows us to unlock these sorts of fancy solutions, however if they are products that have worth or objective use (i.e. Liber Tav) dont they justify themselves?
I hardly see "justification" for Liber Tavs format, (in terms of pure mechanics) bieng any more pertinent than this one. I guess what Im saying is, arent ALL "solutions" a product of these same things your citing anyway? What is the process or a solution example that wouldnt? Isnt our intuitition or higher selves directing us? "Reason is a lue" etc., I think the real measure is the validity of the result.
I dont know if this matters, but the only enumeration required is the first which does stay in place. That is 0 through 12 (not 13) & 13 down 25. The "mirrored" part is, I believe an extra hidden confirnation for the reduced being the "values". I disagree it is easy to arrive at such numbers in such a clear significant way. Also, the mirrored trick, I believed is a "key" to confirm by these recognizable numbers the inherent divisions. How do we know its not just "me"? I think THAT could be argued that the result is alone its objective justification.
666 "foursquare"? 418 in a cross? Deriving 666 by 6 lines of 111? 666 being a total of a 36 square quater? All from mirroring and reducing?
Again, your obviously an intelligent man, and I respect your feedback. I will look into what you say however. Just pointing out what MY mind argues. I want to make sure I understand what your saying, and "get it".
93 93/93
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
Uploaded at Picoodle.com
Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
@Daegal said
"93 Bereshith,
Thank you for your help and input! Very true! I agree of course we have an unconcious process that allows us to unlock these sorts of fancy solutions, however if they are products that have worth or objective use (i.e. Liber Tav) dont they justify themselves? "
Yes, they justify themselves if the product is of practical use and does not depend on others being required to accept the subjective choices of the process of discovery. Liber Tav creates a tarot layout that has great practical applications for meditation on the interconnectedness of the tarot, whether or not its source was Liber AL. Paul Foster Case presents a similar layout (though reversed - which I'm not sure matters since the layout is symmetrical) and does not credit any authority for its production other than tradition (that I recall).
"I hardly see "justification" for Liber Tavs format, (in terms of pure mechanics) thann this one. "
What meditation or practical application to magic does it provide for others that is not required to be based in acceptance of the method of its discovery?
"I guess what Im saying is, arent ALL "solutions" a product of these same things your citing anyway? "
Absolutely.
"What is the process or a solution example that wouldnt?"
It would have to achieve the solution by methods that do not require the unquestioning acceptance of another individual's subjective leaps of intuition and association.
"I dont know if this matters, but the only enumeration required is the first which does stay in place. That is 0 through 12 (not 13) & 13 down 25. The "mirrored" part is, I believe an extra hidden confirnation for the reduced being the "values". I disagree it is easy to arrive at such numbers in such a clear significant way. "
I didn't say it was easy. I said it was an activation of, and an accomplishment of, your unconscious genius. I said it was no small accomplishment to activate it or receive its creative response.
"666 "foursquare"? 418 in a cross? Deriving 666 by 6 lines of 111? 666 being a total of a 36 square quater? All from mirroring and reducing?"
Yes, but with no* logical *justification for the mirroring and reducing except that it ends up resulting in such things. That your mind discovered this is a work of art and genius. Does that seem so small to you? Must it be objectively confirmable by others for it to be a meaningful and significant demonstration of your genius by you, for you? It's only when we start claiming that our solution is obvious, final, and authoritative for everyone that it becomes necessary to apply the rules of rational methodology and objectivity. If we make no such claims, then it still remains that wonderful, mysterious interaction and demonstration of your own genius by you, for you.
"Again, your obviously an intelligent man, and I respect your feedback. I will look into what you say however. Just pointing out wgat MY mind argues.
93 93/93"
Absolutely understandable.
Love under Will.
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
Uploaded at Picoodle.com
Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
Aha! I get it! Ok, thank you Bereshith. I think I finally understand! Your smarter than the average bear I see lol.
Ok, taking it now as a purely personal system, could you give me your opinion on my attributions of elements to the 5 letters of Abrahadabra? IF going by my idea of the cards shown? Id appreciate any advice!
Thank you!
93 93/93
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
Bereshith! One last question that came to me! A possible arguement; could we be throwing the perverbial baby out with the bathwater? Assuming personal, unjustified, or erroneous ideas lead to a valid result, does that really matter?
Would Crowley have thrown out the "AL" key had Achad said he arrived at it by playing scrabble?
How can anyone legitamately use these "keys" (clues) such as the "line drawn" and "circle squared" by NOT using intuitive interpretation with a solution? Their symbols after all, meant to provoke inspiration. We may all react or think of different ideas based on them.
Maybe these words, chance shapes, drawn symbols, and "the number & the words" could be meant to "strangely" or uniquely inspire a particular individual? Are we perhaps putting to much importance on HOW we arrive at a solution, rather than that solutions validity itself?
After all, maybe that is what "success is thy proof" means? Otherwise, we may make the reverse mistake, taking a wrong solution as having objective truth based on a convincing origin.
I dont know, just a thought. Still I get your points, and appreciate your thoughts.
Love under will
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
@Bereshith said
"Well, it's a simplified analogy, but if a person came to you and said "Eureka! I've got it! 4+55=666!" how would you react?"
Your missing my point. Sorry I didnt make it more clear.
Your mistaking an illogical process or method for arriving at a result. Im saying couldnt a verse or symbol inspire an IDEA for a method or process that yields a valid result?
For example, to address your issue with no justification for reducing, and mirroring this graph; could we not allow for "paste the sheets right to left and top to bottom" to mean several things? Or inspire the IDEA of each side "top", reverse "bottom" & "left" to "right" being this mirroring? Taking the meaning as a reversal also?
The "circle squared" inspiring the IDEA for 22 plus 4 = 26 & english? Also the suggesting addition of these four sides, as visually described as a cross? The glyph is interpreted by ME, inspiring a METHOD resulting in a valid solution.
Hope that explains it a bit better. My apologies for not being very articulate! Lol
93 93/93
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
@Bereshith said
"Yes, they justify themselves if the product is of practical use and does not depend on others being required to accept the subjective choices of the process of discovery."
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
@Bereshith said
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@Bereshith said
"Yes, they justify themselves if the product is of practical use and does not depend on others being required to accept the subjective choices of the process of discovery."
"Wait a minute. This isnt making much sense to me now.
How can we exclude a solution simply because others would be required to accept the subjective choices of its originator?
If thats the criteria, it would basically be impossible for any solution to meet the requirement. That may be possible in fields such as science etc., but magick is an art as well, very subjective material no?
These symbols we leap from making subjective choices can inspire specific process that themselves are justified.
Liber Legis is of course very personal, individual, how the verses strike me - what they inspire is personal. You dont have to understand, nor agree how one arrives at a particular summit, but if he end up at that summit another may understand & verify his position.
I can not dictate HOW I believe a verse or symbol should move you, or inspire you. Nor can I dictate the validity of your particular inspiration, regardless if "correct" or not. One may get a vision of Nuit from a symbol of Hadit, but if the vision itself is of universal worth and use, does it matter?
Perhaps these subjective choices are the subjective "keys" that open up meaning for an individual leading to a very objective solution.
93 93/93
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
Subjective choices:
A. Taking the "sheets" to be the Tarot.
Someone has to make a subjective choice to what these "sheets" are. How can anyone avoid this? Besides, my idea is the same as others far greater than myself in knowledge.
B. Taking "right to left and top to bottom" as outline of a graph. How is that unreasonable, if not perfectly logical?
C. Interpreting the SYMBOL of a circle with a cross inside as ROTA (Tarot 22), & 4 elements. Also it inspiring the idea of adding (even reducing) the "circle" of cards.
D. Why couldnt it be taken as legitimate to have "Abrahadabra" in this context suggest uniting the 5 & 6 divisions of these cards or "circle squared"?
C. Following logically the graph outline suggested, why is it unjustified to add these cards?
D. Why isnt it enough justification to reduce and mirror this graph outline simply because all the above led me to try? Or that the words "right to left and top to bottom" gave ME a further idea of reflecting each side? Or the word "behold" to investigate?
How are the above personal inspirations that I derived from the "keys" given (and for a reason) reason to reject the results I obtain, that further fit verses? I.e. "foursquare, mystic, wonderful, the number of the man (666), and the name of thy house 418".
A Tablet foursquare 666, and cross 418, inspired BY "keys" given in Liber Al, unjustified because it would ask others to accept HOW I came to those inpirations for my methods?
Doesnt make sense, and precludes many others ideas arrived at the same way as well. Magick IS subjective.
93 93/93
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
"How can we exclude a solution simply because others would be required to accept the subjective choices of its originator?
"Begs the question of what a solution is.
It's like saying, "How can we exlude a mathematical formula just because it doesn't make any sense unless you're a Christian?"
If I have to be Christian for a mathematical formula to make sense, it isn't a mathematical formula.
If I have to place faith in the person who solved a riddle instead of being able understand it, I have no business giving importance to riddles.
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
@Bereshith said
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"How can we exclude a solution simply because others would be required to accept the subjective choices of its originator?
"Begs the question of what a solution is.
It's like saying, "How can we exlude a mathematical formula just because it doesn't make any sense unless you're a Christian?"
If I have to be Christian for a mathematical formula to make sense, it isn't a mathematical formula.
If I have to place faith in the person who solved a riddle instead of being able understand it, I have no business giving importance to riddles."
A solution is of course the answer to a problem. In this case, the answer to the riddles hidden in Liber Al, specifically the secret of the pasting of the sheets, and the English Qabalah. In addition making sense to many other mysterious verses, that point to a hidden answer.
Im not sure I get your analogy, the "mathmatical formula" aka my theory (method), doesnt require a change in belief systems. Your a Thelemite. Im a Thelemite. You understand the fundamental concepts of Qabalah, and Thelemic and magical theory and techniques, as I do, and probably better.
Therefore, this does not require one to abandon "Thelemic" or "magical" reason or points of view etc. But simply to accept the individual inspiration that LED to a process (formula) that further leads to a reasonable answer.
Do you feel, besides the subjective choices, that the system/theory itself is flawed or unworkable somehow? That IT alone, forgetting about HOW it was derived, has no merit or worth? If so, how or what are your reasons?
Otherwise, I am stumped how you justify rejecting ANY solution that is valid, simply based on how particular symbols influenced another.
Your not placing faith in a person. Of course Awaiss etc., works through us, directing us. IF a solution comes, its not from that personality or person, but as you said, thier Higher Genius or HGA, right? Wouldnt ANY solution come from a person? Look at Frater Achad! You accept AL as the universal key to the Book of the Law dont you?
93 93/93
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
@Bereshith said
"Hmm... spend some time with other people's "solutions" and come up with your own
criteria."I have, and my criteria are listed as you stated and liked. Thats why I qualify it as a "valid" solution, believing it a reasonable and workable
system/formula, even IF personal.93 93/93
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
@Daegal said
"
@Bereshith said
"Hmm... spend some time with other people's "solutions" and come up with your own
criteria."I have, and my criteria are listed as you stated and liked. Thats why I qualify it as a "valid" solution, believing it a reasonable and workable
system/formula, even IF personal.93 93/93"
Well, I can agree with that, so we probably just kind of verbally missed each other toward the end there.
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
Uploaded at Picoodle.com
**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
@Bereshith said
"
@Daegal said
"
@Bereshith said
"Hmm... spend some time with other people's "solutions" and come up with your own
criteria."I have, and my criteria are listed as you stated and liked. Thats why I qualify it as a "valid" solution, believing it a reasonable and workable
system/formula, even IF personal.93 93/93"
Well, I can agree with that, so we probably just kind of verbally missed each other toward the end there.
"93 Bereshith,
Thank you. Yes, I agree, as I state at the beginning, its up to every individual to ultimately decide. Im not here to "declare" anything other than a possible solutuon.
My "argument" was simply on the assertion any solution that "requires one to accept anothers subjective choices" should be tossed out.
I was qualifying a "valid" & reasonable/plausable solution as still viable REGARDLESS of how the symbols etc., inspired them.
IF a technique unfolds from that inspiration - that is valid in its own right, yielding a plausable answer, it should be condidered.
I feel, this idea here is of that caliber.
However, I whole heartedly agree with you, one should only accept what they understand, and use descretion.
93 93/93
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
@Dara Allarah said
"Hey Daegal, I was thinking over your work this morning and I had a sudden flash of inspiration about 666. When we work in base 7 - the Septenary - then 666 is the highest number of the hundreds before 1000. I was wondering if the English Qabalah isn't meant to work in Base 10 but in Base 7? Or maybe base 8... as 777 too seems to have a lot of significance to Crowley - the seal of Babalon etc. The point is these two values, being at the end of each base's hundred values, are a bit like values for something that is the most fully manifested. Like an Amen!
666 is the fully manifested Solar Energy. 777 is the fully manifested Temple. etc.
Just a thought!
Btw - I very much agree with you about how personal intuition and inspiration lead to solutions of general significance. Issac Newton had a personal experience with an Apple falling on his head that lead to the Theory of Gravity... but some of the guys around here at the moment would have told him he was rubbish and wrong and shouldn't have given the apple falling on his head any significance. Then they probably would have asked him for citations for his theory of Gravity too!
Respect!"
Hello Dar,
93
Thank you for the thought. However, as you say for your theory, its not US that decides lol. What I mean by that is; most of this theory Im displaying is already there. Or it "feels" like it is. So, the letters already have values, arrived at by simply reducing the "order" numbers. I try not to "fiddle" with anything too much.
I try to stay away from methods such as "D = Daleth, and Daleth is the Empress thus Venus, and so D = 7." Etc., because THAT is just me threshing out connections. Arbitrary, and not concrete. And if a theory is built solely on that sort of "subjective reasoning" then its shaky.
Others can do that, with even my system, on their own for personal exploration & insights.
So, your idea is interesting, but if its not already evident, I cant "change" it to reflect a particular base, or what have you.
Its interesting that, before I discovered this idea, (formula), I revered the number 93. I found it shocking, and curious when I found all the relevent numbers somewhere in this Tablet; 666,418,56,31,25,26,14,5,6,0 - but NOT a 93 anywhere! Wasnt what I expected. I feel somehow thats good, that it DIDNT have, in a lot of ways what I expected or wanted.
A lot is out of MY hands. Pasting these sheets etc., doing a little adding, thats pretty much IT. I feel more like im simply assembling a peice of furniture from Ikea - following a set of directions than deciding anything.
Respect.
93 93/93
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
I thought I should clarify a few aspects, and add further to this theories use of the "keys" of verse 3.47, and justification on how they were interpreted and applied.
- "this line drawn"
Describing how the line was drawn, is the key. Notice the verse says "this line drawn", using the word "drawn" seems to - well draw attention to it.
If we use a pages sides as our reference points, we could say:
"left to right and top to bottom" &
"right to left and bottom to top."We could say "diagonally, left to right", however I feel Awaiss knew once the diviner realized the simularity, they would "get it", and know what words were meant to inspire.
It hints at both English, and a flipping of the pasting of the sheet arrangement. Which, at this step is "failing" to be squared.
- The "circled squared", points out to use the English to propely square it.
The "circle squared in its failure" has many layers of meaning, however, all link to 26.
The first clue of this symbol, is its definite relation to the number 26, and hence an additional hint at the English Alphabet, elswhere mentioned in Liber Al.
David Allen Hulse, in his book entitled "The Key of it All", mentions this number and its relationship to the squaring of the circle:
"The Squaring of the Circle. As the Hermetic mathmatical puzzle of the squaring of the circle, 26 is the value of the circle and the square combined: the circle is 22 (in light of pi being 22/7) while the square is 4. Thus the circle and square conjoined is 26. This numbering also applies to any symbol combining a circle with
a cross (which is also valued at 4)."Sub layer: Hidden justification for the method of mirroring & reducing?
Among all these clues, is perhaps another describing the method of reducing & mirroring the graph. The circle is the cards, ROTA, the wheel that surrounds the "cross". The cross could be seen as all four sides of the Tablet, equalibriated. If we look at the glyph this way, the cross unites four sides of this "circle", a mirror of a macrocosmic set, and a macrocosmic set. Could this "wheel" turn? Or is the cross a symbol of equalibriating each square with its opposite? Its possible, and either way it inspired the idea in me to experiment, as I feel the word "behold", found at the end of verse 3:73 implies.
The cross, also of course suggests addition if taken as a "plus sign". The circle around this addition sign then could then describe using addition with the cards, and why would experimentation in adding in various ways be excluded? Reducing is taking addition to its final limit, and a cross could be taken as a symbol of reducing as well, as Hadit, the infinitely contracting rood.
The cross also suggests the reflection, as a mirrored graph because a cross is a mirror. Each arm a reflection of an opposite polarity, East vs. West, North - South etc. Again, its possible, and either way, I dont feel its too much of a stretch to see this as a seed of inspiration.
In the end, it works, and so there can be said, at least in some respect, "success". Success in terms of a valid, functional system, that produces instantly important Thelemic numbers, as well as being congruent with various Thelemic ideas and verses.
Lastly, Abrahadabra fits in perfectly with these symbols interpretation, staying in line with both the ideas of 26, and the Rose Cross. It is in fact an ideal symbol to end these three clues, as it reflects the actual function and over all purpose of the Tablet, the prior clues describe.
93 93/93
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Do what thou wilt shall be the whole of the Law
I believe that by pasting the sheets from right to left and top to bottom, in the proper way, generates a Thelemic Enochian style Tablet. The method described seems to be confirmed by the number results that follow, most importantly by the two great Thelemic numbers 666 and 418. What is more astonishing, in my opinion, is that all of these numbers (and not just 666 & 418) appear in a cohesively symbolic way.
The purpose of this post is not to be presumptuous in declaring a definite solution to any particular riddle(s) of Liber Al, but to simply display an interesting possibility. The decision of whether or not these ideas have objective truth or personal truth lies with the reader. I will point out that my personal criteria for any theory regarding the ciphers are:
**A. Be based upon a reasonable and solid Qabalistic foundation of symbolic meaning and/or techniques.
B. Have cohesion. It must fit in with the already-established understanding, and not require one to re-tool the whole system in order for it to "work".
C. It should be marked by a divine simplicity that doesn't seem forced.
D. Results should bring to light something new that itself seems to have a life of its own. Results should yield instant, well-defined already-known hallmarks. Examples of this would be Abrahadabra = 418, Nu = 56, AL = LA etc. These are significant symbolic words and gemetric results that have cohesion, have symbolic bearing in relationship and numbers that were already established as significant clearly within Liber Al itself, or through the works of the Master Therion. **
It would stand to reason any true solution, if found, would first require, at least upon the surface, such instant recognizability in order to be further considered. I personally feel this theory meets the above criteria.
The present theory postulates that through properly following verse III.73 one can assemble an Enochian-style Thelemic Tablet and discover, perhaps, the intended English Qabalah. Thus, this theory presents two reciprocal objects in one stroke. These two subjects are linked to the Tarot (which of course is already recognized as a foundation for the book). The Enochian system that this solution seems to be based upon is another related subject important to A.C. I believe this is the first shallow justification for it as a plausible answer, being that the two main subjects with such a strong connection to Liber Al are involved.
**CONSTRUCTION OF THE GRAPH
V.III:73. "Paste the sheets from right to left and from top to bottom: then behold!"**
**"This has been taken, usually, to mean that the 65 pages of the original ms. of Liber Legis are to be so arranged. However, I feel certain this is not what it means.
The 'sheets' are not of Liber Legis 'Sepher TORA' but of Nuit's book, Sepher TARO or ROTA (see I:57). The 'sheets' are the individual pages or Trumps of the Tarot. The correct arrangement is given in Liber Tav, all laid out. This is a tremendously important format for the correct study of the Hebrew letters and the corresponding trumps.
Gematria: BYHOLD {Heb} = 121 or 11 x 11, a key to Nuit and, perhaps, confirmation that 'Her Book' is the one intended."**
The above is a quote from a commentary by Jim Eshelman. He is not the only one to speculate that the "sheets" are actually the pages of the Book of Thoth, or the Tarot. David Allen Hulse, in his book entitled (ironically), "The Key of It All", suggests the same thing.
This theory agrees with this view of the identity of the sheets. With these sheets I believe we can follow the directions given properly. It is here that the solution differs from the old method, that of Liber Tav. While this is valid and useful in its own right, I argue that it doesn't preclude another possibility. After all, there are almost an infinite number of ways to arrange these symbols and obtain something useful. However, I would add that the arrangement given in Liber Tav doesn't truly seem to follow the directions given in verse III:73. For starters, the Hebrew letters alone are not the "sheets" - even Nuit herself calls these the "old letters" of her book, and not "sheets". Barring even that, the arrangement itself seems a bit of a stretch from the simple directions given. How, for example, does "right to left and top to bottom" describe placing all the Hebrew letters within the legs of a giant Tav?
If we take a square or rectangle, like the page of the manuscript, as a reference frame, if these directions are employed what do we get? It seems rather simple to say that the top of the square or page is the "top". Likewise, the "bottom" is the bottom, and of course there are the "right" and "left" sides. We then may arrange these sheets mentioned "right to left", as in a horizontal line, and then down the side, "top to bottom" - obviously this would imply the left side; it would appear like this:
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Of course this could also suggest the outline of a cross. However, a layout of a cross would bring about an overlap at the center (which is significant, but will go into that later). The above is the most clear and simple solution to the layout, and its only drawback is that upon the surface it doesn't appear to do much. This is because you must first know what these directions are for, and a little more information about these sheets are required to understand the significance.
There is more hidden in this verse that's easy to overlook; the additional words* "Paste"* and* "behold!"*. Both of these give us important information to the hidden solution. Why the use of the word "paste"? It would have been just as easy to say "place", or "attach", or even "position". This word has to play a vital role in the unlocking of the riddle, and it does.
Paste suggests combining two or more objects that are otherwise seperate. It also brings to mind the idea of art; and we hear just that very word in Liber Al, I:47 "But they have the half; unite by thine art so that all disappear." Could this suggested idea of "art" be a hint toward the artistic symbology of the Tarot? I believe that's one layer of its use, and like many of the words and verses of the Book of the Law, there are multiple layers of meaning.
The other is the idea of mathematical addition. To paste something we are basically adding things together, we're doing artistic math. Could this imply the use of addition within this positioning of the Tarot? The outline suggesting a graph seems to support this idea.
We must not forget the other word used, the one at the end of the verse: "behold!" Behold of course is the literal translation of the Hebrew letter Heh.
Paul Foster Case says of Heh:
"Sight is the sense function attributed by Qabalists to the letter Heh. Vision, inspection, reconnaissance, watchfullness, care, vigilance, examination, calculation, analysis, induction, inquiry, investigation, and the like, are all associated in language. All depends largely on the sense of sight. Thus we may expect to find the mode of consciousness associated with this letter one which is active in this kind of mental operation."
Case also points out:
"Constituting Intelligence is the name given it in the Hebrew wisdom, and it is said to 'constitute creation in the darkness of the world.' To constitute is to make anything what it is, to frame, to compose. Constitution is closely related to authorship. The author of anything is its producer, originator, inventor, founder, begetter, generator, architect and builder. "
It then stands to reason that "behold!", taken as being related to Heh, would add to the ideas behind "paste", to investigate, to calculate, to analyze the results. The two additional words then further add to the directions to say "add together the Tarot, and further investigate and analyze the results." The word "behold" could be seen as a hint to investigate and build based on what one finds. After analyzing the results of pasting these sheets, perhaps one is to actively play a role in helping to build it. This turns out not to be so difficult considering it results in a square "tablet" comparable to the Enochian Watchtowers.
PASTING THE SHEETS
Assuming paste suggests adding things together, which to me is pretty logical, we realize the directions could be describing a process of adding the cards of the Tarot together. Where, however, do we stop pasting right to left, and begin going top to bottom? It seems we still require a division for these directions.
It turns out that there is a natural division already in the cards themselves. The Trumps are divided into macrocosmic and microcosmic sets, almost 13 by 13. The Trumps 0 - 12, are macrocosmic, and 13 - 21 are microcosmic. This seems a perfect way to divide these "sheets", with the macrocosmic cards filling in the sheets going right to left (across the top of this theoretical graph), and the 9 microcosmic cards going from top to bottom along the side.
We can now get and idea of what this verse is describing; a mathematical process of blending the 5 and the 6. There are, however a couple problems still:
*A. Exactly what are we adding together to create this literal graph?
B. This leaves us lop-sided, being that there are 13 cards going right to left, and only 9 cards going down - top to bottom. Intuitively it seems we should be balanced; even on both sides of the graph.*
LINES DRAWN & CIRCLES SQUARED & ABRAHADABRA!
V. III:47. This book shall be translated into all tongues: but always with the original in the writing of the Beast; for in the chance shape of the letters and their position to one another: in these are mysteries that no Beast shall divine. Let him not seek to try: but one cometh after him, whence I say not, who shall discover the Key of it all. Then this line drawn is a key: then this circle squared [graphic] in its failure is a key also. And Abrahadabra. It shall be his child & that strangely. Let him not seek after this; for thereby alone can he fall from it. "
These last questions lead us to one of the most obvious puzzles of the Book. Here we have three obvious clues, or* "keys"*. First, I think it's interesting to pay attention to the use of the word "key", as it obviously reflects one of the terms used to describe a Tarot card. Cleverly it also suggests something as a clue, which they of course are. Could they relate to the graph idea suggested in III:73?
Most would say there were three clues given here, these being the "line drawn", "the circle", and "Abrahadabra". I disagree; there is another - an odd graph drawn on the actual page of the manuscript by A.C. Even though this graph drawn on the page was done after the dictation of the book, could it be a further manifestation of Crowley's subconscious hinting at this solution? Perhaps it was Awaiss that controlled the circumstances to bring about this shadow clue? This has no real bearing on the solution, other than it's interesting and co-incedental. It does, however, give us an idea that perhaps these clues relate to the graph. This seems to be confirmed further by what we find and how we come to realize the importance of "letters" to this graph, with which these clues also seem to deal.
THE LINE DRAWN
The line drawn is a literal mark diagonally across the page. A.C. acknowledges that the letters it touched total to 418. But what does this solve? We already know about this number, but how does that connect with the following circle squared that's also drawn? There should be some sort of meaningful connection and help between these clues.
I think the importance of these lie within their hint at the use of the English Alphabet, and a connection to the process hidden in verse III:73. The connection becomes more obvious when we unlock the symbols drawn on the page. Then Abrahadabra, as our last clue, makes perfect sense.
Understanding the "line drawn" is in how it is drawn. If we described it verbally, we get an interesting result. Using the same reference points we did for verse III:73. We could then describe this line drawn as, "left to right and top to bottom", or of course the exact opposite of that verse; "left to right and bottom to top." which of course taken in conjunction with the words of verse III:73 would outline a perfect square. The truly important part of this description, however, is the subtle difference* "left to right"*, which suggests how we read and write English! (Also note this could describe a whole other set of sheets, arranged perfectly opposite the original, a mirror).
THE CIRCLE SQUARED
Next, in a seemingly logical sequence; is the "circle squared in its failure". What is this "circle squared in it's failure"? We are given an actual circle drawn with an equal armed cross in its center. To me, this is obvious. It is again a Multi-layered clue; all of which hint at the same exact subjects, the mystery and problem of the missing 4 sheets that would make the graph a perfect 13x13 graph - 26 in all.
Paul Foster Case in his work* "The Tarot: A Key to the Wisdom of the Ages"* says concerning the symbolism of the Wheel of Fortune:
**"On the wheel, in the circle representing the material world, are the letters TARO counterchanged with the Hebrew letters spelling IHVH. In Hebrew values, the letters of TARO make the number 671, important in Qabalah as the number of certain titles of Malkuth, the Kingdom. As the value of IHVH is 26, the total manifestation of the eight letters on the wheel is 697, and the digits of 697 add to 22, a number associated with the circle or wheel from time immemorial, and the numbers of letters in the Hebrew alphabet, symbolized by the major trumps of Tarot." **
22 is this* "circle", the 22 Hebrew letters attributed to the Trumps, which was "squared in its failure", squared meaning arranged in its divisions of macrocosm and microcosm and blended (the Great Work; uniting the 5 & 6). 26 is 22 + 4, so the circle with the cross within it could be easily said to be 26. However, another point is that this is a symbol of Malkuth, and its here that the solution really comes, since it is within Malkuth that the "9 locks of the inferior beard" *of microprosopus become 13. This refers to the 9 microcosmic paths, (Trumps) that now become 13 when we add these 4 base elements found in Malkuth.
This glyph is a symbol of the solution to the graph, the solution which yields 13 by 13 (13 remember is the value of Achad "one"). It is also a symbol of 26, the Great Work and so the Rosy Cross, and lastly - its the exact number of letters in the English Alphabet.
The last subtle layer of this "circle squared" clue, is that it is a perfect symbol of the graph and its function. It is ROTA, the wheel, and the cross is the four base elements which square it. The cross itself is an addition sign, and further describes the process of fleshing out the Tablet, by uniting that which is above with that which is below. It is a perfectly glorious symbol to represent such a Tablet!
This "circle squared" also reveals what exactly we are adding together - the pages of the Tarot, but more precisely, the new "order" or numbering system given the English alphabet. As we already discussed, the "sheets" are the pages of the Book of Thoth, which make up the outline of the graph. What we are to add, then, are the figurative 'page numbers' of the English alphabet. The English is taken as 26 "sheets" and given the numbering scheme employed by the Tarot Trumps; importantly, this order begins with a 0. The graph then generates a Tablet of 169 squares filled with the product of adding these sheets' page numbers. This new ordering system now applied to the English is vital to determining the true value of the letters, and so the English Qabalah. However, we will go into that later.
AND ABRAHADABRA!
The beauty of how these all flow together in a logical sequence of meaning is part of an argument for this solution's objective validity, in my opinion. It goes without saying that the last clue is what every magician says after he pulls a rabbit out of his hat - Abrahadabra! The work is done! Abrahadabra is the 11 letter word, representing the unification of the 5 & 6. This last clue represents the function of the graph. We can now see a continuing thread connecting all of these clues: the number 26, the English Alphabet as the Tarot.
**1. The line drawn tells us to use the English alphabet as tool to square up the circle (Tarot). (26 letters)
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The circle squared then answers the question of where these extra four letters go - the 4 suits. Plus describes mathematical and function/method of this Tablet & English/Tarot. (26 circle + cross)
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Abrahadabra describes the final blending (addition - pasting of these cards representing the 5 & 6. (26 Rosy Cross) **
In addition to the above, we seem to get further hints we are on the proper track that these clues suggest the English with the immediate following verse:
** III:48. "Now this mystery of the letters is done, and I want to go on to the holier place."**
Here is a commentary on this verse as well by Jim Eshelman:
**"Once more, the transition is almost non sequitur. If Aiwass were required to specify all ambiguous antecedents, he would be polishing this little composition halfway into the next Ãon. But it is the very ambiguities (at first sight) which lead the mind in a particular direction and along particular channels. This seems to me as I have observed previously to be part of the method of the Book.
So, we have to ask: What 'mystery of the letters'?
The apparent answer is the reference to 'the chance shape of the letters and their position to one another' from the verse preceding. Aiwass is adamant that He is 'done' with that mystery. Presumably he means that he has given us all the clues we need.
The chief clues were the three that I summarized (in the last verse) as referring to the Rosy Cross. I am sure that the ultimate meaning is that the Key to understand the mysteries of this Book is to attain to the K&C of the HGA, and thereafter to interpret all in the bright light of the mystic topaz. But there are also lesser mysteries. I believe these are coded in certain letter codes.
In 2:55 we were admonished to 'obtain the order & value of the English Alphabet,' etc. Note that the Keys in verse 47 only enumerate to 418 if the Anglo-Hebraic transliteration were used. That, in fact, is the one method that makes all of these "keys" functional.
There is, as well, the mystery of 'the numbers & the words' in 2:76. Are these part of the 'mystery of the letters' indicated by the present verse?
The implication of verse 48 is that the 'mystery of the letters,' however mysterious or sublime, is relatively exoteric to that which follows. Aiwass, in the guise of Horus, now withdraws further inward, as from the Holy Place of the Tabernacle to the "holier place", the Sanctum Sanctorum. As the climax of the Book kicks into high gear, He will no longer hang around at the level of Ruach mysteries, but will now 'go on.' (c. 1995 EV)"**
Jim notices this here and confirms the connection of the clues to the Rosy Cross. It is there described in the hidden number 26. The mystery of the "letters" is the mystery of how to square the circle of 22 keys, which we learn here is done by applying the English letters. By using the English, and attributing them to the Tarot, we arrive at 26; which is 13 x 13.
Note now the next verse that follows;
III:49. "I am in a secret fourfold word, the blasphemy against all gods of men."
The perfect understanding of this verse will soon become very obvious. I will say now that the graph generates a tablet of squares 13 x 13, 169 squares in all. Looking at the breakdown of this arrangement we could divide the Tablet up into 5 parts.
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**1. 4 quadrants composed of 36 squares. (36 Sun)
- A central cross of 25 squares. (25 Mars)**
This fourfold aspect is that of which I believe this verse speaks. How it becomes *"the blasphemy against all gods of men" *becomes hard to ignore as well; which we will get into soon enough.
We can now generate a Tablet from the graph using what could be called for now "Trump numbers for the English". As mentioned, the extra four numbers are assigned to the extra four English letters (WXYZ), the four base elements and the four elemental suits.
I believe one of the strongest arguements for this theory is the Tablets "foursquare" arrangment of the number 666, and its cross being 418. To me, its blantantly described, and foretold in verse 2.78 Here Jim Eshelman comments upon this verse, and the mysterious "foursquare";
"He is advised that 'they shall worship thy name, foursquare, mystic, wonderful, the number of the man. ' The last phrase, from the Book of Revelations, makes clear that the name is 666. It has always seemed important to me that To Mega Therion’s name bore 'the number of a man, ' for, like few other prophets of note, he was emphatically a man, a man among men.
How this number is 'foursquare' I do not know. I vaguely recognize this phrase as a very old phrase. I should perform a concordance search for a Biblical usage.
Done; but with no exciting results. 'Foursquare' appears ten times in the King James Version of the Bible, the last time in Revelations 21:16. Most of the occurrences are in Exodus. Both the Tabernacle in the Wilderness and the New Jerusalem were described as 'foursquare, ' the Greek of which is tetragonos ('four-sided'), and the Hebrew of which is rabah; but nowhere do I find a phrase equivalent to the one used here in CCXX 2:78. I now suspect it refers to the Kamea of Sol which inherently declares the Name 666.
'They' shall also worship 'the name of thy house 418. ' Crowley interpreted this to mean Boleskine (BVLShKYN) = 418. I think this interpretation is convenient at best. I believe the answer is more universal. First of all, 418 = Cheth, Cancer, ruled by the Moon. is Leo, Teth = 419, correspondent to the Sun. Cancer and the Moon clearly fill the bill as 'the house' of the Sun and, in fact, ideas of house and home are commonly attributed to Cancer in astrology.
'House' is, of course, BYTh = 412. The phrase 'thy house' is BYThH = 417; but 'his house' is BYThV = 418. (This is much more satisfying to me than AC’s forced BYTh ABBA.)
The idea of a 'holy house, ' which also comes up in that way in Cap. III, is likely, ultimately, to be an allusion to similar points in the Fama Fraternitatis.
On examining the N.C. for v. 77, I chuckle to see that AC commenced with precisely the same points of Qabalistic analysis as did I.
'thy name' =ShMH, an anagram (temurah) of both ha-Shem (HShM), 'the Name [of Tetragrammaton], ' and of Mosheh (MShH), 'Moses. ' Its value is 345. AC reinforces an idea I failed to emphasize above, that it is his name that will be worshipped — 666 and all that it means — not Crowley himself.
Regarding 'foursquare': This is verse 144, or 12 x 12. This number brings forth many ideas from the Apocalypse, where these are the key numbers representing the dimensions of the New Jerusalem — which, in turn, is a symbol of the microcosm of the human body. See also T.'.O.'.T.'."
Crowleys comment upon the same verses seems even more pertinent:
"II:77 Thou the prophet had in a way at this time identified himself with the number 666, he considered the magic square drawn therefrom rather silly and artificial, if indeed it had yet been devised, on which point he is uncertain. The true Square is as follows: (It follows when it is discovered)."
What magic "Square"? Did he know of another secret magical square for 666? Could it be this foursquare 666 Tablet? He continues with the comment below on verse II:78;
"II:78 There are certain occult wonders concealed in the first part of this text (see Liber CCCLXX). The solution of the last sentence may depend upon the number of the verse, which is Mezla, the Influx from the Highest, and of the Book of Thoth, or Tarot."
I Think its prertty damn significant when he specifically relates the possible connection of the last sentence of the verse - "They shall worship thy name, foursquare, mystic, wonderful, the number of the man, and the name of thy house 418" to the Tarot!
That is in fact EXACTLY true, the Tablet produced having four 36 sub-quadrants totalling 666, and a central cross totalling 418, DO involve a solution using the Book of Thoth! I find this very convincing as an arguement, and justification for this proposed solutions objective truth.
93 93/93
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