@Mercvrivs said
"It is worth considering some of Rabelias' inspiration via the Benedictine Abbey of Maillezais, beautiful, and full of incredible, and symbolic stone carvings and statues ( the giant is amazing). Behind the building is the legend of the Melusine, whose magick erected the Abbey for Guy de Lusignan (mentioned above by another poster)--and also serves as informative commentary on themes including love, as a love story is the background. She is a water-sprite, and assimilated with figures such as "Lady of the Lake", and her role in Avalon. So, an "esoteric Rabelianism" has in its character not just a Medieval nature--but something also distinctly of the Northern and Celtic tradition. Josephine Peladan elaborates on the "corporate", thus guild (and therefore operative grade system) symbolism in Rabelais, and of course interprets matters esoterically. And, although I lack the resource at the moment, I've heard it that Rabelias contains a type of cypher and gematria of its own (or some unique) internal correspondences (perhaps even Liber Al's prophecy concerns this). Now, not to say these are all and the only esoteric interpretations of Rabelais--but to indicate just how much is wrapped up in his "system" itself--Thelema then ends up absorbing something of Rabelaism--profound as it is in itself--while including and being much more."
Indeed, indeed! Like Crowley, Rabelais had a way of disguising esoteric truths behind seemingly meaningless or obscene material. For instance Panurge would list a description of the various types of balls (testicles) that would go on for a number of pages. While funny in and of itself, it became obvious to me that there was something going on under the surface. I realized after contemplation that the adjectives used to describe the balls were in fact a system, each subsequent adjective representing the exact opposite of the adjective before. Thus Rabelais was using the technique of the union of opposites that Crowley was always harping about (no thing is true without containing its opposite, etc.)
The Abbey of Thelema described by Rabelais is much like the cryptic description of the Palace in Liber AL. What is interesting is that when I first started studying Thelema, and before I knew of Rabelais, I had a dream in which I saw the exact Abbey as described by Rabelais.
I just finished all five books on a road trip to Alaska. At the end of the last book they enter the Temple of Bacchus, and there is a lengthy esoteric description of the Temple itself which contains all manner of Qabalistic hints and information. When Panurge receives the Oracle of the Holy Bottle ("TRINC"), the Priestess also gives a Qabalistic interpretation of the Oracle. There's a great deal of occult ("hidden") material in the books, and also I might mention that the title page for the books states Rabelais as the "Extractor of the Fifth, or Celestial Essence." So it's obvious that somebody was reading their Agrippa.